5 most common international DJing mistakes

Imagine a hundred and more top dancers from all over the world at an elite tango event, traveling maybe 10 hours and spending more than 500 euros for a weekend, just to dance 3 or 4 tandas all night, leaving milonga long before the last tanda. Strange? Trust me, this happens more often than one can imagine... and all just because of the music.

In this post I will try to explain the most common mistakes DJs usually make in their sets on international events.

Being a DJ on international event is quite different than DJing your local milonga. I've been DJ for almost 5 years, but things I learned on my almost 3 years of international experience are the most valuable. I also travel intensively to international encuentros almost every month last 3 years.

I have seen good DJs and I have been disappointed by the bad ones. I have been pleasantly surprised by the sets of some people, and been pushed to leave milonga early by the music of some which are considered good. I learned a lot from my own mistakes also.

In this 5 points I will try to sublime these lessons, hoping that this post will save some milonga from finishing long before La cumparsita. It will help organizers to recognize a good DJs and the DJs to think about their approach.

So, here is what you have to be careful about if you are a DJ on international tango event:

1. Competing with the other DJs at the event – and therefore, forgetting about the audience. It is not a competition. You do not have to be different, do not try to be better, you do not have to play pieces of music others do not have, do not be original, you do not have to play something they forgot to. If you focus on comparing yourself and your set to others, you completely forget that you are there for the dancers – not for the other fellow DJs. The musicalizador should not be afraid to play some track just because other DJs played it already – if it fits to his/hers concept, it must be on the playlist. Focus on the right things – do not miss the point.

2. Saving the best tandas for “when the right time comes” - The right time usually is when the tanda came in to your mind. Later will be too late. A good DJ, should learn to trust his/hers guts. I learned this the hard way: I saved the perfect tandas for later “when the right time comes” and later was right time for other tandas. This DJing tactics usually results in lowering the quality of your set.

3. Experimenting – International events are places imagined as a point with condensed quality of dance – which means, good dancers and good music. People come to these events and they want to dance, you do not have to surprise them with special music. Of course, it is always nice to refresh the mood with some forgotten or “new” track – but this refreshment should be tested before. This is why international DJs should have their local experience, where they test their tandas. Please, do not screw up the international events for testing your ideas – people traveled thousand of kilometers and spent a lot of money to be there for their dance, not for you to experiment on them.

4. Slowing down – I've heard this many times and, in my experience, it is nothing but a myth: when the people are tired, you should calm down the energy of your set. As far as I am concerned, the truth is the opposite – when people are tired, the DJ needs to give them extra energy with his/her set. If people are tired, they can dance slow, even on a very energetic music, but nothing drains the mood of the milonga more than slow and passionless music. In my opinion this is number one mood killer on international events.

5. Disconnecting – My personal guiding principle is that “DJing for tango is like dancing with all dancers on the floor at the same time; and making cabeceo with all dancers that are sitting around”. This means that you have to connect with people around and never to forget that you are there for them. I hate to see a DJ's face glowing from the bright light of the screen of his laptop – the brightness should be enough for him/her to see what is there, but not so much to interfere with his ability to see what is going on around.

Of course this post is not a rulebook. Everyone has his/hers own experience and opinion which might be different than mine. If this is the case I would be glad to discuss about them in the comments sections bellow or in the e-mail conversation.

DJ-ing on Linux - my first impressions

DJ-ing on Linux works better than Windows

As I promised, I write today about my first impressions of using Linux - how it effects my work on DJ-ing and organising my music library. Well, I'll organize what I have to tell in few short notes:

1. Mint is very elegant - Whatever I do, I want nice ambient, and the Linux distribution I am using called Linux Mint offers me just that (its tagline is "from freedom came elegance"). The theme I am using reminds a bit of Mac OS, but what is important to me is its simplicity - as you may noticed from the design of this blog, I prefer simplicity. For me less is really more.

2. Apps work just fine - The biggest concern I had about Linux is its usability as a primary working environment. Would I find all applications I need to do my job? Untill now, I have all I need. In Windows I used Foobar 2000, here VLC is player prefect for the job I need. The default file browser is perfect for checking music and I set Audacious to work on my external sound card to listen to the tracks before I play them. It works just fine. VLC has very good sound adjusting options and good equalizer.

Even before Linux I used Audacity to edit tracks and prepare cortinas - so this is perfect solution for me. I regret only that I wont be able to install Sound Forge and to learn to use it, since I've seen my radio technician made miracles with damaged tango tracks.

Downside is also that I will have to learn Gimp, photo editor - all these years I got used to Photoshop.

3. Sound is perfect - I cant really talk about sound quality because, first, I don't think I have enough qualifications, and second, I changed my laptop. But, as I know the quality of the sound depends mainly on the hardware. I already played 3 times (on one international event, and 2 times on my milonga) on my new laptop on Linux and I can say the sound is perfect. I give credit for that mainly on the busted sound attributes on the model of laptop I chose.

4. Rock solid - What I feel really good about is reliability. The system and applications are rock solid. No crashes until now. I experimented with many applications, and didn't had problem.

The applications are also set to give you exactly what you need - I mean the chance on accidental clicks are almost zero, thing which happened to me in few occasions on milongas; I also saw other Tango DJs have problems with this, and its very embarrassing to interrupt tanda just because DJ accidentally clicked where he/she shouldn't.

Overal impression is that the changing from Windows to Linux is step forward. I feel more stability and better sound comes from my sets, and I work in simpler and more elegant environment.